Curriculum vitae
2023-24
Mariology – devised theater work by Critical Mass Performance Group, directed by Nancy Keystone (featuring Paul Outlaw as Mary Paul). Regional premiere at Mixed Blood Theatre, Minneapolis, MN.
Fetish Puppies Break Free! – short experimental film directed by Lior Shamriz (featuring PO as Man from the Future). Spektakulativ Pictures. Watch and Chill 3.0 joint exhibition at MMCA (National Museum of Modern and Contemporary Art), Seoul, SK; NGV (National Gallery Victoria), Melbourne, AU, Tono Festival, Mexico City; Peabody Essex Museum, Salem, MA.
2022
WALL BERLINER, WAHLBERLINER – staged reading of a new play in English and German by PO. Queerweek 22 Festival at Studio Я/Maxim Gorki Theater, Berlin, Germany.
DUET – devised theater work-in-progress. Los Angeles Exchange (LAX) Festival at the Museum of Contemporary Art; Human Resources, Los Angeles, CA.
Cassandra, an Agony – theater work-in-progress. Sinking Ship Productions at Getty Villa Theater Lab, Los Angeles, CA.
2021
Reading Ventriloquist Scripts: The Talking at Money – two-channel online video performance in conjunction with the exhibition NOT I: Throwing Voices (1500 BCE– 2020 CE). Los Angeles County Museum of Art (LACMA).
The Dope Elf: Organized Around the Erotics of Doing You In – ensemble theater work. Gawdafful National Theater at The Lab, San Francisco, CA.
The Dope Elf: That Chick Judy – short film directed by Asher Hartman (featuring PO). Gawdafful National Theater/The Lab.
Pride Publics – multi-site exhibition curated by Rubén Esparza. ONE Archives Foundation, Los Angeles, CA.
Stuart Timmons’ City of West Hollywood Immersive LGTBQ History Tour – virtual presentation written and directed by Jason Jenn. WeHo Arts, West Hollywood, CA.
Going – short improvised film directed by Michael Portnoy (featuring PO). Premiere: GES-2/V-A-C Foundation, Moscow. Butcher Bird Studios.
The Time Machine (Accelerate) – digital video by Miljohn Ruperto & Erik Kim (featuring voiceover by PO). Premiere: Jakarta Biennale.
2020
BigBlackOctoberSurprise – theater work-in-progress. Virtual presentation by Roy & Edna Disney CalArts Theater (REDCAT), Los Angeles, CA.
Don’t Look Back – immersive sound experience for the Purple Line (subway), concept/text: Marike Splint; sound/music: Jonathan Snipes; voice: Paul Outlaw. “Eurydice Found” Festival/Metro Art Presents, Los Angeles, CA.
On the Other Side – devised theater work-in-progress in collaboration with Marike Splint (director). Two-week residencies at Automata Los Angeles and Skirball Cultural Center, Los Angeles, CA.
12th Schaeffer’s ERA – simultaneous Warsaw-Los Angeles livestream performance directed by Maciek Sobociński. Aurea Porta/Ghost Road Company/Warsaw Bauhaus.
Fool’s Window – collaborative theatrical ritual by Patrick Michael Ballard. Residency at Automata, Los Angeles, CA (and ongoing).
Still Life: LIVE – virtual group performance and discussion led by Michael Rippens in conjunction with "home" exhibition at Acogedor, Los Angeles, CA.
Stir/Content(s) – video short (performance/music/camera/editing: Paul Outlaw).
Last City Stories: Suburbia Story – omnibus short film project directed by Vojislav Radovanović (featuring PO as the Witch). Flourish Project Group.
2019
BBC (Big Black Cockroach) – theater work-in-progress. NOW (New Original Works) Festival at REDCAT, Los Angeles, CA.
The Dope Elf – site-specific ensemble theater work. Gawdafful National Theater at TBA (Time-Based Art) Festival/Yale Union, Portland, OR.
2018
I’m Very Into You – devised theater in collaboration with Sara Lyons (director). Los Angeles Exchange Festival at Think Tank Gallery, Los Angeles, CA.
Who’s Hysterical Now? – a gender-flipped live-read of selections from the Ford/Kavanaugh testimonies conceived and adapted by Tina Poppy, with Paul Outlaw (PO) as Sen. Dianne Feinstein, Dr. Christine Blasey Ford and Mrs. Ashley Kavanaugh. Bootleg Theater and Blank Theatre, Los Angeles, CA.
Shine – site-specific solo performance as part of Metro Art Presents’ “Changes,” curated by Stephen van Dyck. Union Station, Los Angeles, CA.
“Becoming Angeleno,” written and performed by PO as part of PROUD Stories, a celebration of the LGBTQ experience in OUR L.A. VOICES Spring Arts Fest. Grand Park, Los Angeles, CA.
A Streetcar Named Desire – play by Tennessee Williams directed by Michael Michetti, with PO as Featured Singer/Man/Doctor. Boston Court Pasadena (CA).
“Encounters #43 & #44” – durational improvised group performances presented by REDCAT and the Getty as part of “Pacific Standard Time: LA/LA” at Human Resources (#43) and Los Angeles State Historic Park (#44).
2017
BIRTHDAY SUITe – solo performance written and performed by PO. Electric Lodge, Venice, CA.
The Distance Is Beautiful – site-specific ensemble theater work created by Lola Gonzàlez (text), Oguri (choreography) and Paul Chavez (music) created in collaboration with the cast (with PO as Featured Singer). FLAX Foundation at Grand Park/Metro Red Line/surface streets, Los Angeles, CA.
Sorry, Atlantis: Eden’s Achin’ Organ Seeks Revenge – site-specific ensemble theater work. Gawdafful National Theater at Machine Project, Los Angeles, CA.
Various performances with clipping. (Daveed Diggs, Jonathan Snipes and William Hutson) in support of Splendor & Misery (q.v.), including The Broad (Los Angeles), Brick & Mortar Music Hall (San Francisco) and Starline Social Club (Oakland).
2016
Splendor & Misery – studio album by clipping., guest vocals by PO. (Music video: “True Believer.”) Sub Pop Records/Deathbomb Arc.
The Silver, the Black, the Wicked Dance – site-specific ensemble theater work. Gawdafful National Theater at Los Angeles County Museum of Art (LACMA).
Red Velvet – play by Lolita Chakrabarti, with PO as Ira Aldridge. The Junction Theatre Co. at the Atwater Playhouse, Los Angeles, CA (West Coast Premiere).
2015
Compassio\N – mixed-media ensemble performance. VisionLA Fest (Climate Action Arts Festival), Culver City, CA.
2014
Fallen Blossoms – feature film directed by Lior Shamriz (featuring PO as the Dying Queen in the Los Angeles section “The Gentrification and Killing of Lucinda“). Spektakulativ Pictures.
2013
The Late, Late Show – three-act experimental play with music. OutlawPlay at Bootleg Theater, Los Angeles, CA.
The Glass Bang – site-specific ensemble theater work. Gawdafful National Theater/Machine Project/The Getty (“Pacific Standard Time: Modern Architecture in L.A.”) at Fitzpatrick-Leland House, Los Angeles, CA; Southern Exposure, San Francisco, CA; Cannonball, Miami, FL.
The House is Open – opera-in-progress by Alexander Vassos presented by The Industry as part of First Take (new works showcase), featuring PO as Doctor. Billy Wilder Theater at the Hammer Museum, Westwood, CA.
Opportunity for Diversion: A Script for Two Players – site-specific performance by PO and Asher Hartman. Presented as part of “Nowhere to Run, Nowhere to Hide” at “Die Lustige Grube” by Infernoesque, Berlin, Germany.
2012
The Late, Late Show – theater work-in-progress by OutlawPlay - Act III: “Porphyria's Descent.” Grand Performances, Los Angeles, CA.
El Espiritu del Barrio Chino – photo essay/collaboration with Michael Sakamoto, in the group exhibition “(De)Constructing Chinatown.” Chinese-American Museum, Los Angeles, CA.
Language of the Land – series presented by Native Strategies featuring an open rehearsal of new theatrical work. LACE (Los Angeles Contemporary Exhibitions), Los Angeles, CA.
City of Los Angeles (C.O.L.A.) Individual Artist Fellowships Exhibition – group show featuring complete video documentation of “Porphyria's Descent.” Los Angeles Municipal Art Gallery, Los Angeles, CA.
2011
Layla Means Night – dance theater by Rosanna Gamson/World Wide (with PO as Featured Singer and Narrator). Roy & Edna Disney CalArts Theater (REDCAT), Los Angeles, CA.
´Bout to Get On – interactive site-specific performance installation created in collaboration with VISCERA (Anna B. Scott and associated artists). LAX FlyAway Bus Terminal, Van Nuys, CA.
What Did I Do to Be So Black and... – solo performance created in collaboration with Curt Lemieux and Joe Seely. LACE (Los Angeles Contemporary Exhibitions) and Highways Performance Space and Gallery, Santa Monica, CA.
In One Ear – spoken word collaboration with Carole Kim. ARTTalk Festival (Boston Court Performing Arts Center), Pasadena, CA.
Mass Transit – dance theater performance created in collaboration with Jaime Jeppe Benson and Andrae Gonzalo. Bootleg Theater Dance Festival, Los Angeles, CA.
2010
The Late, Late Show – theater work-in-progress by OutlawPlay - Act I: “Porphyrion's Revenge” and excerpts of Act II: “Porphyrion in Love.” Highways Performance Space, Santa Monica, CA.
Annie Okay – site-specific ensemble performance theater work written and directed by Asher Hartman (featuring PO as Louis Leonowens). Machine Project A.I.R. at the Hammer Museum, Westwood, CA.
Under Glass – collaboration between video artist Carole Kim, composer Carl Stone and PO. Blast Phemy! series (presented by LA Film Forum/NewTown/Cinefamily) at the Silent Movie Theater, Los Angeles, CA, and (as crisscrossing) at the Kellogg Gallery, Pomona, CA.
Tov – dance theater by Rosanna Gamson/World Wide (featuring PO). REDCAT, Los Angeles, CA.
2009
Vestiges of Creation – ensemble performance created in collaboration with Michael Sakamoto. UCLA Department of World Arts and Cultures.
(dubzeck) – “performance mixtape” inspired by Woyzeck, staged by Patrick Kennelly (featuring PO as William Randolph Hearst and Donald “Cinque Mtume” DeFreeze). Highways Performance Space, Santa Monica, CA.
2008
We Pedal Uphill – feature film directed by Roland Tec (featuring PO as Whitman).
2002 - 2008
Berserker – theater work. Various venues, including Theater! Theatre!, Portland, OR; the New York International Fringe Festival, New York, NY; the San Francisco Fringe Festival, San Francisco, CA; Highways Performance Space, Santa Monica, CA; Blacktino Queer Performance Festival, Northwestern University, Evanston, IL.
2001
Project Alice – Fabulous Monsters’ adaptation of the Lewis Carroll classic directed by Robert Prior, with PO as the Mad Hatter and the Queen of Hearts. Renberg Theatre, Los Angeles, CA, and the Madrid Theatre, Canoga Park, CA.
Rita Goes to Hell – dance theater by Rosanna Gamson/World Wide, with PO as Hades. Highways Performance Space, Santa Monica, CA.
1999 - 2002
Lovesickness: Freud, Blood and Moving Pictures – dance theater by Rosanna Gamson/World Wide, with PO as Sigmund Freud. Highways Performance Space; Luckman Theater, Los Angeles, CA; as part of the Freud exhibition at the Skirball Cultural Center, Los Angeles; Colorado Dance Festival, Boulder, CO; Sushi Performance & Visual Arts, San Diego, CA.
1997
Dirt – play by Abe Rybeck directed by Roland Tec, with PO as Michael Govern. Theater Offensive at the Boston Center for the Arts.
All the Rage – feature film directed by Roland Tec, featuring PO as David; soundtrack song “Boy Crazy” written, produced and performed by PO; presented at festivals including Outfest, Los Angeles, and the San Francisco International Lesbian and Gay Film Festival.
1994 - 2001
Here Be Dragons – solo performance directed by Leigh Strimbeck. Various venues including Prufrock’s, Scranton, PA; Fisher Theater, Exeter, NH; Out on the Edge Festival, Boston, MA; Friends of Italian Opera, Berlin, Germany; Raven Theatrical, Boston, MA.
1993
Schwarzfahrer (Black Rider) – short film directed by Pepe Danquart featuring PO in the title role; soundtrack song “Keep All the Sunshine (Locked Up)” written, produced and performed by Snow Blind Twilight Ferries; Academy Award, Best Live Action Short.
1990 - 1993
Lead singer of the Berlin bands Fortified Static, Snow Blind Twilight Ferries and General Motor, various recordings and performances in Berlin, including at Loft, Tacheles and Quasimodo.
2023
LA County Performing Arts Recovery Grant
Speranza Foundation Microgrant
ACCELERATOR Program (Los Angeles Performance Practice)
2022
Steven Schwartzberg Grant for Mental Health and Wellness (Dramatists Guild Foundation)
2021
Lincoln City Fellowship (Speranza Foundation)
Ucross Foundation Artist Residency
2020
Lincoln City Fellowship (Speranza Foundation)
Ucross Foundation Artist Residency
Thymele Arts Incubator Artist Residency
Foundation for Contemporary Art (FCA) COVID-19 Fund Emergency Grant
Whiting Foundation Residency Aid Grant
2019
Foundation for Contemporary Art (FCA) Emergency Grant for BBC (Big Black Cockroach) at REDCAT’s NOW Festival
2012
City of Los Angeles (COLA) Individual Artist Fellowship
Los Angeles Artists Fellowship Laboratory (LAAFL)
2011
Center for Cultural Innovation Artists' Resource for Completion Grant for What Did I Do to Be So Black and... at LACE
2008
Durfee Foundation Artists’ Resource for Completion Grant for Berserker at the Blacktino Queer Performance Festival
2003
Best Male Dramatic Solo/Best of Fringe Award for Berserker, San Francisco Fringe Festival, NY International Fringe Festival
2016
Berserker (play), published in Blacktino Queer Performance (Durham: Duke University Press), E. Patrick Johnson & Ramon H. Rivera-Servera, eds.
2008
“Außer mir vor Angst” (Scared to Death), essay, FRONT magazine (Germany), 11/2008
“Gershwin Employment Service,” essay, Extra Criticum, extracriticum.com, 9/18/2008
“A Girl and her Guitar,” essay, Extra Criticum, extracriticum.com, 8/29/2008
1995
“If That’s Your Boyfriend (He Wasn’t Last Night),” essay, African American Review, Vol. 29, No. 2
2023
Morgan, Andrea, “Life & Work with Paul Outlaw,” VoyageLA, 4/3/2023
2022
Douglas, Elliott, “City of exiles: September on the Berlin stage,” Exberliner, 9/5/2022
2021
Cooke, Lynne, “Top Ten: Lynne Cooke’s Highlights of 2021,” Artforum, Vol. 60, No. 4, December 2021
Quick, Genevieve, “In Tackling White Patriarchy The Dope Elf Erodes Life-Fiction Boundaries,” 48 Hills, 10/6/2021
Fox, Michael, “Now Playing! Gawdafful National Theater Acts Out at The Lab,” KQED, The Do List, 6/24/2021
Esparza, Rubén, “Protest Culture Is What Pride Is Really About,” The Advocate, 5/27/21
Wagley, Catherine G., “Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater,” Momus, 2/11/2021
2020
Serratore, Nicole, “Review: BigBlackOctoberSurprise at REDCAT,” Exeunt NYC, 11/2020
Slayton, Jeff, “REDCAT Presents BigBlackOctoberSurprise,” LA Dance Chronicle, 10/26/2020
Sarbanes, Janet, “The Gawdafful Plays of Asher Hartman,” American Theatre, Vol. 37, 10/15/2020
Choksi, Neha, “It is Dense and Bears Repetition: Notes on Rehearsals of Asher Hartman’s The Dope Elf,” Riting, 9/7/2020
Vander Weg, Kara, “Emergency Arts Funding,” Gagosian Quarterly, 7/20/2020
Dambrot, Shana Nys, “Meet an Artist Monday: Asher Hartman,” LA Weekly, 5/25/2020
Hartman, Asher, Mad Clot on a Holy Bone: Memories of a Psychic Theater (Los Angeles: X Artists’ Books)
Lyons, Sara, “On Marike Splint: On the Other Side,” Riting, 5/7/2020
Schiffler, Elizabeth, “On Marike Splint: On the Other Side,” Riting, 5/7/2020
Darrow, Allayana, “Bright Moments,” The Sheridan Press, 4/10/2020
2019
Acena, TJ, “The Dope Elf Review: TBA and Yale Union Join Forces to Bring Portland One Weird Play About Gentrification,” Portland Mercury, 9/19/2019
Daghlian, Martha, “TBA report: aggressive whimsey, meditative chaos, kinetic violin,” Oregon Artswatch, 9/17/2019
Timmons, Mathew and Ben White, “Paul Outlaw and Micaela Tobin,” The People Radio podcast, 08/18/2019
Collins, Bianca, “REDCAT’s New Original Works Festival 2019,” Artillery Magazine, 8/12/2019
Adams, Amber, “BWW Review: SEE IT NOW- The New Original Works Festival at REDCAT,” Broadway World, 8/5/2019
Slayton, Jeff, “NOW Festival 2019 at REDCAT – Week Two: A Review,” LA Dance Chronicle, 8/3/2019
Perry, Barlo, “NOW Fest Week Two at REDCAT,” PARIS LA, 8/2/2019
Slayton, Jeff, “Rosanna Gamson’s Sugar Houses: A Work-in-Progress at REDCAT,” LA Dance Chronicle, 1/17/2019
Ventzislavov, Rossen, “A Reality to Call Our Own,” X-Tra Contemporary Art Quarterly, Vol. 21, No. 2, Winter 2019
2018
Gutierrez-Perez, Robert, “Blacktino Queer Performance,” Text and Performance Quarterly, Vol. 38, Issue 4, 265-26
Garriga-López Claudia Sofía, “Blacktinex Broke Back Bridges,” TSQ: Transgender Studies Quarterly, Vol. 5, Issue 1, 148-150
McNulty, Charles, “Best Theater 2018,” Los Angeles Times, 12/11/2018
Young, Gina, “On Sara Lyons: I’m Very Into You,” Riting, 10/10/2018
Stromberg, Matt, “From Rave Music to Shoe Shining, LA’s Union Station Sets the Stage for 20 Performances,” Hyperallergic, 8/21/2018
Klugman, Deborah, “A Streetcar for Today,” LA Weekly, 3/9/2018
McNulty, Charles, “Modern spin revives classic,” Los Angeles Times, 2/28/2018
2017
El Kholti, Hedi, “Bad and Good Times in LA,” Frieze, frieze.com, 12/31/2017
Various, “Extra Seasoning: Artistic Directors Share Their Faves,” American Theatre, Vol. 34, No. 8, October 2017
Barry, Timothy Francis, “E. Patrick Johnson and Ramon H. Rivera-Servera, Eds., Blacktino Queer Performance,” The Brooklyn Rail, July/August 2017
Stromberg, Matt, “60 Performers Reclaim the Streets of Downtown LA,” Hyperallergic, 7/12/2017
Caperton y Montoya, Will, ed., COLA 20 Catalog
Heller, Jason, “Why clipping.’s Hugo Nomination Matters for Music in Science Fiction,” Pitchfork, 4/7/2017
Rohrbach, Paul, “Watch clipping.’s Spacey, Single-Shot ‘True Believer’ Video,” Paste, 4/4/2017
2016
Schildcrout, Jordan, “Your Friend Dahmer,” Murder Most Queer, murdermostqueer.com, 10/7/2016
Kupermintz, Eden, “prognotes — Clipping’s Splendor & Misery, Part I: All Black Everything; Part II: Long Way Away; Part III: Break the Glass,” Heavy Blog is Heavy, Oct.-Nov. 2016
Jayasuriya, Mehan, “clipping. Splendor & Misery,” Pitchfork, 9/6/2016.
Nero, Charles, “What's Nat Turner Doing Up In Here With All These Queers?: Paul Outlaw's Berserker, A Black Gay Meditation Upon Interracial Desire and Disappearing Blackness,” Part VIII/Chapter 15, Blacktino Queer Performance (Durham: Duke University Press), E. Patrick Johnson and Ramon H. Rivera-Servera, eds., 486-497.
Young, Vershawn Ashanti, “Interview with Paul Outlaw,” Part VIII/Chapter 16, Blacktino Queer Performance (Durham: Duke University Press), E. Patrick Johnson and Ramon H. Rivera-Servera, eds., 498-506.
Nichols, David C., “Black actor cast in a traditionally white role? Red Velvet explores what happens next,” Los Angeles Times, 4/8/2016.
Raden, Bill, “When a 183-Year-Old Racial Casting Controversy Feels Eerily Current,” LA Weekly, 3/29/2016.
Heffley, Lynne, “Red Velvet raises the curtain on a forgotten, barrier-breaking star,” Los Angeles Times, 4/16/2016.
Oliver, Marilyn Tower, “Red Velvet Explores the Life of Renowned 19th Century Black Actor Ira Aldridge,” Los Feliz Ledger, 3/31/2016.
Irwin, Ron, “Magnificent Red Velvet examines theater’s 19th century racial injustices in West Coast premiere,” Tolucan Times, 4/4/2016.
Hein, Mark, “Red Velvet Uncovers Hidden Black Superstar,” theatreghost.com, 3/29/2016.
2015
Schnibbe, Margie, “Margie.LA talks with Paul Outlaw,” KCHUNG Radio 1630 AM (Los Angeles), 9/23/2015.
2014
Ferguson, Richard, “A Conversation with Paul Outlaw,” Poetiscape podcast, 04/28/2014.
Barragan, Bianca, “Watch a Party at the Fitzpatrick-Leland House Go Terribly Awry,” Curbed Los Angeles, 2/3/2014.
Williams, Maxwell, “Asher Hartman’s Glass Bang,” Artbound, kcet.com, 1/28/2014; KCET-TV, 3/6/2014.
Tylevich, Katya, “Domestic Drama: Director Asher Hartman talks about casting architecture for his unusual play,” Mark, 12/2013–1/2014, pp. 122-125.
2013
Swed, Mark, “Six opera works-in-progress, all terrific, from the Industry,” Los Angeles Times, 6/3/2013.
Jette, David, “The Late, Late Show at Bootleg,” Sydiot, sydiot.com, 11/11/2013.
Keshaviah, Mayank, “Stage Raw: The Late, Late Show,” LA Weekly, 11/7/2013.
Tuck, Geoff, “‘Nowhere to Run, Nowhere to Hide,’ a weekend show in Berlin.” Notes on Looking, notesonlooking.com, 8/16/2013.
Walker, Alissa, “Machine Project’s Oddball Take on LA Architecture from a Helicopter Experiment to the Spirit of Whitney Houston” LA Weekly, 6/20/2013.
2012
Dambrot, Shana Nys, “Fellowship of the C.O.L.A.” LA Weekly, 9/27/2012.
2011
Scott, Anna B., “To Avert the Risk of Going Too Far,” COLA Exhibition Catalog. pp. 60-65.
Holt, Brian. “Here’s to the Girls Who Stay Smart,” Out West Arts, outwestarts.com, 9/17/2011.
Madrid, Danyel, “Going Berserk: Paul Outlaw in Conversation,” and Getnick, Brian, “Another Song, Another Story: Curt LeMieux’s Objects in Performance,” Native Strategies, No.1, Spring-Summer 2011.
Tuck, Geoff, “Paul Outlaw: So Funny It Hurts,” Notes on Looking, notesonlooking.com, 4/16/2011.
2010
Swed, Mark, “Inner realms of sight, sound: Under Glass brings togther just about everything,” Los Angeles Times, 5/14/2010.
Byg, Barton, “Class Conflict and Urban Public Space: Haneke and Mass Transit,” Chapter 22, A Companion to Michael Haneke (Oxford: Wiley Blackwell), Roy Grundmann, ed.
Hargraves, Kelly, “Rosanna Gamson/World Wide: Tov @ REDCAT,” Eye Spy LA, eyespyla.com, 3/26/2010.
Widdey, Benn, “Tov @ REDCAT,” laist, laist.com, 3/23/2010.
Josephs, Susan, “In Tov, Rosanna Gamson ponders her family history -- and more,” Los Angeles Times, 3/14/2010.
2009
Wilkinson, Ron, “We Pedal Uphill - Movie Review,” m&c, monstersandcritics.com, 3/29/2009.
Catsoulis, Jeannette, “Tracking Paranoia and Injustice in 21st-Century America,” New York Times, 3/19/2009.
Schenker, Andrew, “Film Review: We Pedal Uphill,” Slant Magazine, slantmagazine.com, 2/15/2009.
2008
Swed, Mark, “Cyber opera with a vacuum,” Los Angeles Times, 8/2/2008.
Heidemann, Jason, “Fest forward (Paul Outlaw goes Berserker),” Time Out Chicago, 4/17-23/2008.
Libbon, S. E., “Exploring Otherness through Pepe Danquart's Schwarzfahrer: A Lesson in Cultural Sensitivity,” Die Unterrichtspraxis = Teaching German, Vol. 41 No. 1, 82-87.
2003
Moore, Michael Scott, “Fun on the Fringe: A Killer Performance (Paul Outlaw in Berserker),” SF Weekly, 9/10-16/2003.
Price, Gene, “Outlaw Goes Berserker,” San Francisco Bay Times, 9/11/2003.
Probst, Andy, “Fringe Roundup,” American Theater Web, americantheaterweb.com, 8/16/2003.
Connell, Kevin, “Berserker,” nytheatre.com, 8/2003.
2002
Wolf, Sara, “Pick of the Week: Berserker/Terra Nova,” LA Weekly, 9/26/2002.
Steinberg, Janice. “Mind and body: two to tango,” San Diego Union-Tribune, 2/16/2002.
2001
Segal, Lewis, “Gamson’s Rita Attempts to Plumb the Depths,” Los Angeles Times, 3/3/2001.
2000
Giffin, Glenn, “Freud’s theories back beguiling performance,” Denver Post, 7/15/2000.
BFA in Acting, New York University Tisch School of the Arts